Architecture is portrayed in an extremely delicate and extraordinary way in this film. Director Gustavo Taretto uses this architectural viewpoint to show the audience the peculiarities of living in mono-environments, as well as the ordinary way in which people’s social, professional, and private lives interact. This feature film called ‘Medianeras’ is built on four pillars, according to its director: the city (in this case, Buenos Aires), which is chaotic, unpredictable, but also appealing / urban solitude, daily coexistence with perfect strangers who are indifferent to one another / in communication, technology, which is designed to connect us but paradoxically separates us / the search for love, the difficulty of two people who live on the same block and are “soulmates” to find each other. Dialogues that introduce us to Buenos Aires architecture and others that show the importance of architecture in people’s daily lives. The film’s development uses architecture as a metaphor for existential problems. The city’s disorder is depicted not as a symptom but as a possible cause of modern life’s disarray (Franco, 2011; Timm, 2018).